Search results for " sculptor"

showing 4 items of 4 documents

Giacomo Serpotta tra sacro e profano

2022

We shall be taking an innovative and original approach in our examination of the insuperable figure of Giacomo Serpotta, an outstanding Sicilian stucco sculptor of the 18th century. The complete artistic output of Giacomo Serpotta is traced, oscillating between the sacred and the profane in the sculptural adornment of many churches and oratories. Here, Giacomo Serpotta shifts from the Baroque to Rococo, originating a sculptural art that is profoundly innovative in its language and symbology. Formal reading and chromatic-spatial games are intertwined with the symbolic in the light of significant essays by Carl Gustav Jung, Martin Heidegger and Carlo Giulio Argan

Giacomo Serpotta sculptor churches oratories sacred and profane Baroque Rococo Carl Gustav Jung Martin Heidegger Carlo Giulio ArganSettore L-ART/02 - Storia Dell'Arte Moderna
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La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949)

2020

The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis method, we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries), and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research, with the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes, that help us study the workshops of the mos…

that help us study the workshops of the most important sculptors in Valencia during the 1940s and 1950s (PonsodaUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASSambonet o Cuesta). 249 261we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries)and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707988 La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949) Llibrer Escrig:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Bellverel cas de Llíria i la Confraria de la Sang (1936-1949) Llibrer Escrig [0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707988 La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria]Antoni The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis methodwith the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes
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The training of sculptors at the Ecole des beaux-arts de Paris

2018

International audience

training of sculptorsEcole des beaux-arts de Paris[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social Sciences[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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I MONUMENTI AI SOVRANI SPAGNOLI IN SICILIA NELLA SECONDA METÀ DEL SEICENTO: IL CASO DI FILIPPO IV A PALERMO E DI CARLO II A MESSINA

2018

I MONUMENTI AI SOVRANI SPAGNOLI IN SICILIA NELLA SECONDA METÀ DEL SEICENTO: IL CASO DI FILIPPO IV A PALERMO E DI CARLO II A MESSINA-Nella seconda metà del Settecento vennero eretti in Sicilia due grandiosi monumenti per celebrare gli ultimi re di Spagna della Casa d'Asburgo: il “teatro” di Filippo IV nel piano del palazzo Reale di Palermo (dal 1661) e il gruppo scultoreo con la statua equestre di Carlo II (dal 1680) nella piazza della cattedrale di Messina. I due monumenti rendevano omaggio in Sicilia, nei luoghi eletti simbolo del potere della corona spagnola, i trionfi di sovrani ancora in vita e secondo parametri compositivi articolati e meritevoli di attenzione. L’adozione di un reperto…

“Teatro” di Filippo IV statua equestre di Carlo II Sicilia XVII secolo scultori-architetti“Theater” of Filippo IV Equestrian statue of Charles II Sicily 17th Century Sculptors-ArchitectsSettore ICAR/18 - Storia Dell'Architettura
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